Killandyank
+
obsessedriso:

Sneaky shot of Emma Wiesenekker’s great stuff!emmawiesenekker
+
monamieemilie:

Right now I am chilling in France, as you can see, taking funny new pictures for the app and you, see you very soon on https://monamieemilie.findrow.com
xxxxx
+
+
isbsh:

yousukefuyama.com | SOUNDROOM vol.90
+
walnutwax:

KIRSTIN GRIBBIN & MELANIE PYNE BY WALNUTWAX
walnutwax:

KIRSTIN GRIBBIN & MELANIE PYNE BY WALNUTWAX
+
nevver:

Dope, Amy Lombard
+
+
"

アイ:まず、中国のインターネットでは“明日”という文字が入っている文章は検索できないようになっている。“明日”という言葉自体が、規制対象になったのだ。


なぜですか?

アイ:なぜって、人々が「明日、王府井(中国ジャスミン革命が起こっている北京市内の中心のエリア)を行進しよう」などと言うからだろう。“今日” という言葉も検索できないようになっている。コンピューターは“今日”という文字が入っているすべてを規制しているんだ(笑)。“明日”と“今日”が使えない状況というのは、すごいことだよ。彼らがどれだけ脅かされているかわかるだろう。議論や知性ある話し合いや討論の予知は皆無だ。昔の中国人の親みたいなものだ。子供は、一切反抗せずに親の言うことをきかなければいけない。経済と政治に意見を持つことは許されていないのだ。これは非常に悲惨なことだ。この国では過去100年において何も創造されていない。

"
インタビュー : アイ・ウェイウェイ [前編] - Time Out Tokyo (タイムアウト東京)
+
momongamon:

Shané van der Westhuizen by Henrik Purienne
+
king-emare:

vmagazine:

Jamel Shabazz: Street Photographer
Charlie Ahearn’s Film Retraces a Moment in New York Style - Video 1 / 2 / 3
As a teenage photographer in early 80s East Flatbush, Brooklyn, Jamel Shabazz set out to document the then nascent movement of hip-hop. Through the iconic style of his MCs, neighborhood kids and gang members, the unequivocal attitude of New York’s youth was recognized as the calling card of the city’s creative renaissance. Published in 2001, Shabazz’ first book Back In The Days was celebrated as an exhilarating snapshot of the times, and his visual flair has been brought to life in a new documentary by the legendary hip-hop historian and director, Charlie Ahearn.  “On the cover of Jamel’s book were two young men on 42nd Street. They were captured posing in such strong form as a kind of respectful bulwark against all the chaos that you see around them on ‘The Deuce,’” explains Ahearn, the notable filmmaker also responsible for the classic old-school movie, Wild Style. “I immediately knew that here was an original artist for our time.” [1]
©jamel shabazz.all rights reserved

I wish
king-emare:

vmagazine:

Jamel Shabazz: Street Photographer
Charlie Ahearn’s Film Retraces a Moment in New York Style - Video 1 / 2 / 3
As a teenage photographer in early 80s East Flatbush, Brooklyn, Jamel Shabazz set out to document the then nascent movement of hip-hop. Through the iconic style of his MCs, neighborhood kids and gang members, the unequivocal attitude of New York’s youth was recognized as the calling card of the city’s creative renaissance. Published in 2001, Shabazz’ first book Back In The Days was celebrated as an exhilarating snapshot of the times, and his visual flair has been brought to life in a new documentary by the legendary hip-hop historian and director, Charlie Ahearn.  “On the cover of Jamel’s book were two young men on 42nd Street. They were captured posing in such strong form as a kind of respectful bulwark against all the chaos that you see around them on ‘The Deuce,’” explains Ahearn, the notable filmmaker also responsible for the classic old-school movie, Wild Style. “I immediately knew that here was an original artist for our time.” [1]
©jamel shabazz.all rights reserved

I wish
king-emare:

vmagazine:

Jamel Shabazz: Street Photographer
Charlie Ahearn’s Film Retraces a Moment in New York Style - Video 1 / 2 / 3
As a teenage photographer in early 80s East Flatbush, Brooklyn, Jamel Shabazz set out to document the then nascent movement of hip-hop. Through the iconic style of his MCs, neighborhood kids and gang members, the unequivocal attitude of New York’s youth was recognized as the calling card of the city’s creative renaissance. Published in 2001, Shabazz’ first book Back In The Days was celebrated as an exhilarating snapshot of the times, and his visual flair has been brought to life in a new documentary by the legendary hip-hop historian and director, Charlie Ahearn.  “On the cover of Jamel’s book were two young men on 42nd Street. They were captured posing in such strong form as a kind of respectful bulwark against all the chaos that you see around them on ‘The Deuce,’” explains Ahearn, the notable filmmaker also responsible for the classic old-school movie, Wild Style. “I immediately knew that here was an original artist for our time.” [1]
©jamel shabazz.all rights reserved

I wish
king-emare:

vmagazine:

Jamel Shabazz: Street Photographer
Charlie Ahearn’s Film Retraces a Moment in New York Style - Video 1 / 2 / 3
As a teenage photographer in early 80s East Flatbush, Brooklyn, Jamel Shabazz set out to document the then nascent movement of hip-hop. Through the iconic style of his MCs, neighborhood kids and gang members, the unequivocal attitude of New York’s youth was recognized as the calling card of the city’s creative renaissance. Published in 2001, Shabazz’ first book Back In The Days was celebrated as an exhilarating snapshot of the times, and his visual flair has been brought to life in a new documentary by the legendary hip-hop historian and director, Charlie Ahearn.  “On the cover of Jamel’s book were two young men on 42nd Street. They were captured posing in such strong form as a kind of respectful bulwark against all the chaos that you see around them on ‘The Deuce,’” explains Ahearn, the notable filmmaker also responsible for the classic old-school movie, Wild Style. “I immediately knew that here was an original artist for our time.” [1]
©jamel shabazz.all rights reserved

I wish
king-emare:

vmagazine:

Jamel Shabazz: Street Photographer
Charlie Ahearn’s Film Retraces a Moment in New York Style - Video 1 / 2 / 3
As a teenage photographer in early 80s East Flatbush, Brooklyn, Jamel Shabazz set out to document the then nascent movement of hip-hop. Through the iconic style of his MCs, neighborhood kids and gang members, the unequivocal attitude of New York’s youth was recognized as the calling card of the city’s creative renaissance. Published in 2001, Shabazz’ first book Back In The Days was celebrated as an exhilarating snapshot of the times, and his visual flair has been brought to life in a new documentary by the legendary hip-hop historian and director, Charlie Ahearn.  “On the cover of Jamel’s book were two young men on 42nd Street. They were captured posing in such strong form as a kind of respectful bulwark against all the chaos that you see around them on ‘The Deuce,’” explains Ahearn, the notable filmmaker also responsible for the classic old-school movie, Wild Style. “I immediately knew that here was an original artist for our time.” [1]
©jamel shabazz.all rights reserved

I wish
king-emare:

vmagazine:

Jamel Shabazz: Street Photographer
Charlie Ahearn’s Film Retraces a Moment in New York Style - Video 1 / 2 / 3
As a teenage photographer in early 80s East Flatbush, Brooklyn, Jamel Shabazz set out to document the then nascent movement of hip-hop. Through the iconic style of his MCs, neighborhood kids and gang members, the unequivocal attitude of New York’s youth was recognized as the calling card of the city’s creative renaissance. Published in 2001, Shabazz’ first book Back In The Days was celebrated as an exhilarating snapshot of the times, and his visual flair has been brought to life in a new documentary by the legendary hip-hop historian and director, Charlie Ahearn.  “On the cover of Jamel’s book were two young men on 42nd Street. They were captured posing in such strong form as a kind of respectful bulwark against all the chaos that you see around them on ‘The Deuce,’” explains Ahearn, the notable filmmaker also responsible for the classic old-school movie, Wild Style. “I immediately knew that here was an original artist for our time.” [1]
©jamel shabazz.all rights reserved

I wish
king-emare:

vmagazine:

Jamel Shabazz: Street Photographer
Charlie Ahearn’s Film Retraces a Moment in New York Style - Video 1 / 2 / 3
As a teenage photographer in early 80s East Flatbush, Brooklyn, Jamel Shabazz set out to document the then nascent movement of hip-hop. Through the iconic style of his MCs, neighborhood kids and gang members, the unequivocal attitude of New York’s youth was recognized as the calling card of the city’s creative renaissance. Published in 2001, Shabazz’ first book Back In The Days was celebrated as an exhilarating snapshot of the times, and his visual flair has been brought to life in a new documentary by the legendary hip-hop historian and director, Charlie Ahearn.  “On the cover of Jamel’s book were two young men on 42nd Street. They were captured posing in such strong form as a kind of respectful bulwark against all the chaos that you see around them on ‘The Deuce,’” explains Ahearn, the notable filmmaker also responsible for the classic old-school movie, Wild Style. “I immediately knew that here was an original artist for our time.” [1]
©jamel shabazz.all rights reserved

I wish
king-emare:

vmagazine:

Jamel Shabazz: Street Photographer
Charlie Ahearn’s Film Retraces a Moment in New York Style - Video 1 / 2 / 3
As a teenage photographer in early 80s East Flatbush, Brooklyn, Jamel Shabazz set out to document the then nascent movement of hip-hop. Through the iconic style of his MCs, neighborhood kids and gang members, the unequivocal attitude of New York’s youth was recognized as the calling card of the city’s creative renaissance. Published in 2001, Shabazz’ first book Back In The Days was celebrated as an exhilarating snapshot of the times, and his visual flair has been brought to life in a new documentary by the legendary hip-hop historian and director, Charlie Ahearn.  “On the cover of Jamel’s book were two young men on 42nd Street. They were captured posing in such strong form as a kind of respectful bulwark against all the chaos that you see around them on ‘The Deuce,’” explains Ahearn, the notable filmmaker also responsible for the classic old-school movie, Wild Style. “I immediately knew that here was an original artist for our time.” [1]
©jamel shabazz.all rights reserved

I wish
king-emare:

vmagazine:

Jamel Shabazz: Street Photographer
Charlie Ahearn’s Film Retraces a Moment in New York Style - Video 1 / 2 / 3
As a teenage photographer in early 80s East Flatbush, Brooklyn, Jamel Shabazz set out to document the then nascent movement of hip-hop. Through the iconic style of his MCs, neighborhood kids and gang members, the unequivocal attitude of New York’s youth was recognized as the calling card of the city’s creative renaissance. Published in 2001, Shabazz’ first book Back In The Days was celebrated as an exhilarating snapshot of the times, and his visual flair has been brought to life in a new documentary by the legendary hip-hop historian and director, Charlie Ahearn.  “On the cover of Jamel’s book were two young men on 42nd Street. They were captured posing in such strong form as a kind of respectful bulwark against all the chaos that you see around them on ‘The Deuce,’” explains Ahearn, the notable filmmaker also responsible for the classic old-school movie, Wild Style. “I immediately knew that here was an original artist for our time.” [1]
©jamel shabazz.all rights reserved

I wish
king-emare:

vmagazine:

Jamel Shabazz: Street Photographer
Charlie Ahearn’s Film Retraces a Moment in New York Style - Video 1 / 2 / 3
As a teenage photographer in early 80s East Flatbush, Brooklyn, Jamel Shabazz set out to document the then nascent movement of hip-hop. Through the iconic style of his MCs, neighborhood kids and gang members, the unequivocal attitude of New York’s youth was recognized as the calling card of the city’s creative renaissance. Published in 2001, Shabazz’ first book Back In The Days was celebrated as an exhilarating snapshot of the times, and his visual flair has been brought to life in a new documentary by the legendary hip-hop historian and director, Charlie Ahearn.  “On the cover of Jamel’s book were two young men on 42nd Street. They were captured posing in such strong form as a kind of respectful bulwark against all the chaos that you see around them on ‘The Deuce,’” explains Ahearn, the notable filmmaker also responsible for the classic old-school movie, Wild Style. “I immediately knew that here was an original artist for our time.” [1]
©jamel shabazz.all rights reserved

I wish
+
prostheticknowledge:

Play Girls
Japanese in-development adult game uses current-generation digitization techniques for added photo-realism, and will be VR compatible - Safe For Work video embedded below:

Digitalization of real people in video games is not a new thing in itself (for example MOCAP for movement), but photo-realistic capture has only been seen in AAA titles such as EA’s FIFA series (video) and Konami’s upcoming Metal Gear Solid 5 (video 1 | video 2). It’s unsurprising (if a little strange to see develop initially) how sex and ‘the gaze’ is becoming digital.
You can find out more about the game at the (Japanese) website here
prostheticknowledge:

Play Girls
Japanese in-development adult game uses current-generation digitization techniques for added photo-realism, and will be VR compatible - Safe For Work video embedded below:

Digitalization of real people in video games is not a new thing in itself (for example MOCAP for movement), but photo-realistic capture has only been seen in AAA titles such as EA’s FIFA series (video) and Konami’s upcoming Metal Gear Solid 5 (video 1 | video 2). It’s unsurprising (if a little strange to see develop initially) how sex and ‘the gaze’ is becoming digital.
You can find out more about the game at the (Japanese) website here
prostheticknowledge:

Play Girls
Japanese in-development adult game uses current-generation digitization techniques for added photo-realism, and will be VR compatible - Safe For Work video embedded below:

Digitalization of real people in video games is not a new thing in itself (for example MOCAP for movement), but photo-realistic capture has only been seen in AAA titles such as EA’s FIFA series (video) and Konami’s upcoming Metal Gear Solid 5 (video 1 | video 2). It’s unsurprising (if a little strange to see develop initially) how sex and ‘the gaze’ is becoming digital.
You can find out more about the game at the (Japanese) website here
prostheticknowledge:

Play Girls
Japanese in-development adult game uses current-generation digitization techniques for added photo-realism, and will be VR compatible - Safe For Work video embedded below:

Digitalization of real people in video games is not a new thing in itself (for example MOCAP for movement), but photo-realistic capture has only been seen in AAA titles such as EA’s FIFA series (video) and Konami’s upcoming Metal Gear Solid 5 (video 1 | video 2). It’s unsurprising (if a little strange to see develop initially) how sex and ‘the gaze’ is becoming digital.
You can find out more about the game at the (Japanese) website here
prostheticknowledge:

Play Girls
Japanese in-development adult game uses current-generation digitization techniques for added photo-realism, and will be VR compatible - Safe For Work video embedded below:

Digitalization of real people in video games is not a new thing in itself (for example MOCAP for movement), but photo-realistic capture has only been seen in AAA titles such as EA’s FIFA series (video) and Konami’s upcoming Metal Gear Solid 5 (video 1 | video 2). It’s unsurprising (if a little strange to see develop initially) how sex and ‘the gaze’ is becoming digital.
You can find out more about the game at the (Japanese) website here
+
"◆まとめ
・船を操船していたのは入社4ヶ月の新人女性
・船長は事故当時おらず、3~4時間に1回様子を見に来る程度
・クレーン船の手配が費用でもめて12時間遅れる
・クレーン船が到着、しかし船体へ近づけず
船の引き上げに1~2ヶ月かかる事が判明
過積載の疑いあり
・先っぽだけ出ていた船首も消え完全に沈没
・ダイバーが船内に入ったというのは誤報
・空気を船内に注入していたというのも誤報
・空気を船内に注入開始も、使ったホースはわずか直径1.9cm
ダイバー3名が溺れて救助される
・ダイバー2階に入るも命綱切れて14分で撤退
乗船名簿にない人間が50人以上乗り込んでいる可能性浮上
中国人も4人乗船していた事を確認
日本人の母親を持つハーフの女子高生も乗船
乗船名簿にない遺体を発見、ホラーかと話題に
・救助された教頭が遺書を残して自殺
・船内からのメールは全て発信者を特定し嘘と確認
・遺族に対し嘘の葬祭案内をする詐欺師が登場
・身元が確認されたはずの遺体、遺族が本人でないと断定
オバマの訪韓取りやめの噂も
"

【韓国船沈没】次から次へ ヤ バ す ぎ る 事 実 が発覚!!!事故のまとめが膨大な量に… - 中国・韓国・在日崩壊ニュース

話半分だとしても、シャレにならない。

(via tatsukii)
+
+
"フェイスブックって「メシ・恋愛・子育て」みたいなコンテンツが圧倒的多数で、「メシと繁殖だけって……お前それ動物じゃねえか」って思うんですけど"
Twitter / MACRAME_KAZ (via igi)
+